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Dans l'agencement de bureaux et de grands magasins de la fin des années 1960, les cloisonnements modulaires ou les systèmes artificiels d’éclairage et d’air conditionné intégrés aux plafonds créent une idée d’espace flexible héritier du plan libre : l’open space. Sur fond de contestation des jeunes et des ouvriers d'Italie, des avant-gardes florentines transposent ces systèmes à l’échelle de l'espace public. C’est dans ce contexte, rendu particulier en Italie par les analyses marxistes de phénomènes métropolitains et territoriaux, que naît le projet des Archizoom de la No-Stop City, Residential Parkings, Climatic Universal System (1969-1972). C'est à un voyage intérieur au sein de ce pays de cocagne pop que nous convie Roberto Gargiani.

Architecture radicale --- Architecture --- Archizoom associati --- Utopie urbaine --- Années 1970 --- Espace de travail --- Grand magasin --- Parking --- Organisation de l'espace intérieur --- Ecrit d'architecte --- Archizoom

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Au cours de sa longue carrière, Pier Luigi Nervi a exploré le potentiel du béton par la mise en place et la préfabrication d'éléments en béton armé ou en ferrociment, matériau qu'il a inventé et breveté pendant la guerre. Toutes ses œuvres les plus connues, telles que le Stade de Florence, les hangars construits à Orivieto, Orbetello et Torre del Lago Puccini, les Halls du Palazzo di Torino Esposizioni à Turin, les bâtiments de l'Unesco à Paris, le Palazzetto dello Sport à Rome et L'Aula per le Udienze au Vatican constituent un chapitre important dans l'histoire de l'architecture, de la structure et de la construction du XXe siècle. La passion de Nervi pour le processus de fabrication du béton et du coffrage est examinée de façon systématique dans le volume. Les auteurs illustrent le processus créatif de Nervi à travers l'examen de dessins non publiés, de dessins, de spécifications, de photos de chantiers et de correspondance avec des collègues et des collaborateurs.

Concrete construction --- Construction en béton --- Nervi, Pier Luigi --- 72.07 --- Building, Concrete --- Concrete building --- Construction, Concrete --- Building --- Nervi, Pier Luigi. --- Nervi, P. L. --- 691.328 --- Ingenieurswetenschappen en architectuur ; 20ste eeuw ; P.L. Nervi --- Ferrocement ; ferro-cement --- Sportcomplexen --- Geprefabriceerd beton --- Beton Brut --- Hangars --- Constructies ; overspanningen --- Prefab --- Architectuur ; vnl. Italië ; 20ste eeuw ; P.L. Nervi --- Nervi, Pier Luigi 1891-1979 (°Sondrio, Italië) --- Architecten. Stedenbouwkundigen A - Z --- Bouwmaterialen ; gewapend beton --- Construction en béton --- Béton armé --- Histoire de la construction --- Buildings, Reinforced concrete. --- Constructions en béton armé --- Nervi, Pier Luigi,

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Cet ouvrage propose une réinterprétation inédite de l'architecture de la fin du 19e et de l'ensemble du 20e siècle, selon une méthode privilégiant l'analyse de la structure, du revêtement et des matériaux, ainsi que celle de l'influence, tant en termes de conception que de mise en oeuvre, des principes formulés par Viollet-le-Duc et Semper. Richement illustré, ce livre offre au lecteur une nouvelle manière de 'voir' l'architecture. Rédigé par deux grands spécialistes du domaine et organisé selon une corrélation continue entre textes et images, il constitue une solide référence didactique pour les étudiants et les chercheurs en architecture.

Architecture, Modern --- Architecture --- Constructivisme --- De stijl --- Futurisme --- Gratte-ciel --- Histoire de l'architecture --- Ordre architectural --- Revêtement --- Structure --- Style international --- Analyse de l'architecture --- Analyse de structure --- Histoire de l'urbanisme --- Histoire de la construction --- Histoire des arts décoratifs --- Matériau --- Revêtement de façade --- Revêtement de mur --- Revêtement de sol --- Aalto, Alvar --- Asplund, Erik Gunnar --- Behrens, Peter --- Berlage, Hendrick Petrus --- Bonatz, Paul --- Chareau, Pierre --- Duiker, Johannes --- Eisenman, Peter --- Garnier, Tony --- Gaudi, Antonio --- Gropius, Walter --- Hilberseimer, Ludwig --- Hoffmann, Josef --- Holabird, William --- Horta, Victor --- Kahn, Louis Isidore, --- Le Baron Jenney, William --- Le Corbusier, Charles-Edouard Jeanneret, --- Loos, Adolf --- Mackintosh, Charles Rennie --- Mendelsohn, Erich --- Meyer, Hans --- Mies Van Der Rohe, Ludwig --- Nouvel, Jean --- Olbrich, Josef Maria --- Perret, Auguste, --- Plecnik, Jozef --- Roche, Martin --- Sant'elia, Antonio --- Sullivan, Louis Henry, --- Taut, Bruno --- Terragni, Giuseppe --- Tessenow, Heinrich --- Wagner, Otto --- Wright, Frank Lloyd, --- Skidmore, owings & merrill --- 20e siècle --- 72.035 --- 72.036 --- Oude bouwstijlen in de 19e eeuw. Post-renaissance in de architectuur --- Moderne bouwkunst. Architectuur van de 20e eeuw --- Modernisme (architectuur) --- Modernistische architectuur --- 72.036 Moderne bouwkunst. Architectuur van de 20e eeuw --- 72.035 Oude bouwstijlen in de 19e eeuw. Post-renaissance in de architectuur --- architectural history --- Aalto, Alvar, --- Horta, Victor, 1861-1947 --- Terragni, Giuseppe, --- Mies Van Der Rohe, Ludwig, --- Mendelsohn, Erich, --- Wagner, Otto, --- Garnier, Tony, --- Nouvel, Jean, --- Skidmore, Owings & Merrill Llp --- Eisenman, Peter, --- Loos, Adolf, --- Gaudí, Antoni, --- Architecture - 19e siècle --- Architecture - 20e siècle --- Aalto, Alvar, 1898-1976 --- Eisenman, Peter, 1932 --- -Garnier, Tony, 1869-1948 --- Gaudí, Antoni, 1852-1926 --- Kahn, Louis Isidore, 1901-1974 --- Le Corbusier, Charles-Edouard Jeanneret, 1887-1965 --- Loos, Adolf, 1870-1933 --- Mendelsohn, Erich, 1887-1953 --- Mies Van Der Rohe, Ludwig, 1886-1969 --- Nouvel, Jean, 1945 --- -Olbrich, Josef Maria --- Perret, Auguste, 1874-1954 --- Sullivan, Louis Henry, 1856-1924 --- Terragni, Giuseppe, 1904-1943 --- Wagner, Otto, 1841-1918 --- Wright, Frank Lloyd, 1867-1959 --- architecture [discipline] --- Modern [style or period] --- Charentes --- Construction --- Construction, technique de la --- Revêtements --- Matériaux

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The reemergence in the early eighteenth century of the technology and use of concrete provide the starting point for this first volume of the Treatise on Concrete. In this book are described and analyzed, for the first time, the various contributions that led to the rediscovery of concrete made by the specialists of the period, from chemists to volcanologists; from engineers to architects and construction workers; from inventors to archaeologists and even men of letters.

Concrete construction --- Concrete --- Construction en béton --- Béton --- History. --- Histoire --- Béton --- Archéologie --- Construction --- 691.3 --- Betonbouw ; geschiedenis --- Beton --- Building materials --- Building, Concrete --- Concrete building --- Construction, Concrete --- Building --- History --- Bouwmaterialen ; kunststeen, beton --- Chaux --- Ouvrage d'art --- Mortier --- Pont --- Ingénierie --- Dessin technique --- Fondations --- Coffrage --- Ciment --- Histoire des sciences et des techniques

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Grand Dessein du Rationalisme is a hybrid publication that gathers 18 architecture projects from the student collectives of Roberto Gargiani’s Superstudio at the École polytechnique fédérale de Lausanne, 2020–2021, and a series of 13 theoretical, practical and historical reflections on (antagonist) rationalism in architecture. At the outset of this project, we agreed, together with Roberto Gargiani and Marson Korbi, to create a hybrid publication that mediates the format of the collection of student projects with a series of theoretical and practical reflections on (antagonist) rationalism in architecture. They tapped into the diverse list of guests who, during the same academic year, had intervened in the studio for a lecture, soliciting original contributions that, given their quality, could easily make it into a specific book on the topic.Still, this book intends to respect the provisional nature of student projects by assuming a certain economy of means. The texts in French and English, the working languages of students at EPFL, were included without translation in the project descriptions and in the 13 contributions. We were confident that readers would easily switch between the two languages, or be happy with half. The pair of A0 drawings that each student collective presented as the end result of their work, the “grands desseins” of a Platforme and a Ville Verte, are here reproduced on each side of an A2 poster, simply folded and inserted behind the front cover, unbound. They can be thumbed through as a fascicle or unfolded one by one, while excerpts of the same drawings allow readers to trace them back to the respective manifesto printed near the end of the book.The concepts that the students manipulated in their projects are set out in the Superstudio Manifesto that they received at the beginning of the academic year, printed on the following pages. After this, Roberto Gargiani’s text “Antagonist Rationalism” inaugurates a series of contributions addressing the different subthemes that structure the book in two main sections: “Incomplete Rationalism / Actualité du Rationalisme” and “Multitude, Commons, Antagonisme, Metropolis”. The collective text by Natalie Donat-Cattin, Silvia Groaz, Boris Hamzeian and Marson Korbi, the course assistants, intercedes between the contributions and the set of manifestos written by each collective to accompany their graphic work.

Rationalism (Architecture) --- Rationalisme (Architecture) --- École polytechnique fédérale de Lausanne. --- Architecture --- Study and teaching (Graduate) --- Theory --- Travaux d'étudiants --- Projet d'architecture --- 373.67 --- 72.01 --- École polytechnique fédérale de Lausanne (EPFL) --- Architectuuronderwijs --- Architectuuronderzoek --- Onderzoek (architectuur) --- Architectuurtheorie --- Architectuur (theorie)